Product Details
- Brand: Canon
- Model: 100mm f/2.8L IS Macro
- Number of items: 1
- Dimensions: 4.80" h x
3.10" w x
3.10" l,
1.38 pounds
Features
- Lens Construction: 15 elements in 12 groups.
- Canon's first mid-telephoto macro "L" series lens to include Canon's sophisticated Image Stabilization
- Focal Length & Maximum Aperture: 100mm 1:2.8
- Focus Adjustment: Inner focusing system with USM; full-time manual focus available.
- Filter Size: 67mm
- Lens Construction: 15 elements in 12 groups.
- Canon's first mid-telephoto macro "L" series lens to include Canon's sophisticated Image Stabilization
- Focal Length & Maximum Aperture: 100mm 1:2.8
- Focus Adjustment: Inner focusing system with USM; full-time manual focus available.
- Filter Size: 67mm
Product Description
The 100mm f/2.8L Macro Lens is Canon's mid-telephoto macro lens to include Canon's sophisticated Image Stabilization. With the highest quality optics available, combined with near-silent Ultrasonic focusing and life-size close-up capabilities without an adapter, the EF 100mm f/2.8L Macro IS USM is simply unrivalled. This is the first lens on the market to incorporate Canon's Hybrid Image Stabilization Technology. Hybrid IS effectively compensates for both angular and shift camera shake during close-up shooting. The lens was developed to expand users' photographing range and allow a wider range of users to easily enjoy macro photography.
Customer Reviews
Most helpful customer reviews
240 of 250 people found the following review helpful.
By Peter J. Chon
I love Canon. Although there were times when I shot with Nikons (D700, D300) and were pretty impressed with the result, I always came back to Canon.This is the first is macro lens for Canon and they got it right. I have used the 60mm, 100mm, & 180mm macro before and by far this is the best!Now, if you already own a 100mm macro you should try it before upgrading because the IQ of the lens are identical. I usually use this lens for portraits (yes, I know the 85mm & 135mm is a better portrait lens.) of my daughter and the IS is awesome. Hand holding 1/40 I can still get a sharp picture.The thing that I really hated about the non-IS 100mm macro was the distribution of weight - it was the most awkward thing to shoot with. This lens feels lighter because of the even distribution of weight and size (gradual taper) and it includes a deep hood.I know $1K is a hefty sum of cash, but considering what you get and how long it can last you - I don't know why you would settle for the non-IS.--- Edit ---I found that for portrait, the bokeh on this thing is incredibly smooth. Instead of the angular blurs (lights, flowers, etc), you get a smooth circular blurs due to its spherical diaphragm. But I guess that's in the eye of the beholder...
150 of 158 people found the following review helpful.
By KatherineSD
I hardly ever write reviews but I felt that I really needed to write a quick note about how amazing this macro lens is. I used to be a Nikon gal until I sold my D300 for the Canon 7D. I also gave up my beloved 105mm Nikkor macro lens at that time, with much trepidation. Would I ever find a lens as sharp with as good IQ? Well, I have no more fears -- the 100mm IS macro fits that bill and more! It is simply amazing. I have the 24-70mmL and 70-200mmL lenses and this macro blows both lenses out of the water as far as IQ and sharpness. I cannot describe the beauty of the colors of my macro flowers! I posted a couple pix with this review... It is also a sharper lens than my 70-200L IS f/4, which I think is a superb lens on it's own. The bokah with this lens is also smoother than the 70-200. Again, a pleasant surprise since I also love that lens. I cannot ever imagine anyone being disappointed with this macro. Just buy it with a credit card that gives you cash back or miles because the price tag is steep.
136 of 143 people found the following review helpful.
By Electronics kid
I wasn't certain this lens would be a good value or choice for an APS-C camera. Having recently purchased a 7D, I felt the focal length might be too long, but didn't want the EF-S 60mm macro, when I expect to purchase a body with a full-frame sensor in a couple years. For anyone considering a 100mm Macro, I'm 6x6" tall, and was able to squeeze in an 8x11" sheet of paper on the floor, while standing with my 20D.I evaluated the EF 100mm Macro and this lens side-by-side. The older 100mm Macro has a great reputation. From the specifications, you'll see that the new lens is slightly longer, and weighs more. The build quality is excellent and consistent with an L lens. Optics are precise. Color and Bokeh are outstanding, as review samples attest.Auto focus and manual focus are smooth and deliberate. As with other Macros, the focus is precise, but moves slower than a standard telephoto lens of the same focal length. It takes approximately 2.5 seconds to focus from infinity to .3m. It takes approximately 3.0 seconds to focus from .3m to infinity, as the mechanism delays .5 seconds when autofocus is initiated.The focusing limiter selector switch functions well, eliminating the time to focus, if you know your subject will be between .3m to .5m, or .5m to infinity. The ranges offer a good compromise between focusing element travel and practical subject distances. .3m to .5m represents a 180 degree turn of the focusing ring, and .5m to infinity represents about a 150 degree turn of the focusing ring.I purchased this lens over the older 100mm Macro for the image stabilization. The image stabilization allows the hand held use of the lens under brighter lighting conditions. The image stabilization certainly behaves differently from other L lenses at 100mm. Telephoto IS may allow you to pan, this lens does not. Better shots will be obtained with IS on while tracking a moving subject; however, IS on this lens is no substitute for a telephoto with panning IS ability. The new IS technology does seem better suited for macro shots than earlier IS techonlogy. The subject seems to "stick" on this lens, as compared with images that seem to "float" with other IS lenses.IS compensates for movement quite well, but I will shoot low-light subjects on a tripod. With IS on and and shooting at 2.8, the depth of field is extremely shallow. Any movement toward or away from the subject will result in an out-of-focus image. My 1.6 sensor certainly exacerbates the problem. If you need to obtain a more adequate depth of field, you must shoot at 8.0 or above, which will require longer shutter times under low lighting.Outdoors, this lens will provide unique opportunities in allowing one to complete hand-held shots of bright-lit subjects, especially if you have a full-frame sensor.
This Page is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to Amazon.com
CERTAIN CONTENT THAT APPEARS ON THIS SITE COMES FROM AMAZON SERVICES LLC. THIS CONTENT IS PROVIDED "AS IS" AND IS SUBJECT TO CHANGE OR REMOVAL AT ANY TIME.
Post a Comment